Jennifer is on the cover of the November issue of Vanity Fair and she talks about the leaked photos for the first time. Here’s the cover and an excerpt from the magazine, which will hit newsstands tomorrow, October 8th.

Cover Exclusive: Jennifer Lawrence Calls Photo Hacking a “Sex Crime”“I was just so afraid. I didn’t know how this would affect my career.”

That’s just the beginning of what Jennifer Lawrence has to say about her stolen-photos saga in the cover story of Vanity Fair’s November issue, the digital edition of which will be available Wednesday, October 8, and which hits newsstands in New York and Los Angeles on Thursday, October 9.

Lawrence originally met with V.F. contributing editor Sam Kashner on August 13. News broke that hackers had stolen personal photos of her and posted them online on August 31—two weeks after the interview and a month after her July 29 cover shoot with Patrick Demarchelier. So Kashner followed up with Lawrence’s team in hopes of giving the actress “a chance to have the last word.”

“I could just sense after having spent a little time with her that she would come out swinging,” Kashner tells VF.com.

The 24-year-old actress had not previously commented on the incident, but she spoke to Kashner at length about the anger she felt. “Just because I’m a public figure, just because I’m an actress, does not mean that I asked for this,” she says. “It does not mean that it comes with the territory. It’s my body, and it should be my choice, and the fact that it is not my choice is absolutely disgusting. I can’t believe that we even live in that kind of world. ”

n the cover story, the Hunger Games star vents her frustration not just with the offending hackers but also with those—including people she knows—who viewed the images online. “Anybody who looked at those pictures, you’re perpetuating a sexual offense. You should cower with shame. Even people who I know and love say, ‘Oh, yeah, I looked at the pictures.’ I don’t want to get mad, but at the same time I’m thinking, I didn’t tell you that you could look at my naked body.”

Lawrence also shares a message for the tabloid community: “You have a choice. You don’t have to be a person who spreads negativity and lies for a living. You can do something good. You can be good. Let’s just make that choice and—it feels better.”

Lawrence speaks of the wrenching moment when she had to call her father about the hack. “When I have to make that phone call to my dad and tell him what’s happened … I don’t care how much money I get for The Hunger Games,” she says. “I promise you, anybody given the choice of that kind of money or having to make a phone call to tell your dad that something like that has happened, it’s not worth it.” She allows herself to joke a little about that terrible moment: “Fortunately, he was playing golf, so he was in a good mood.”

With her words now out in the open, the F.B.I. on the case, and a billion-dollar franchise to carry over the finish line, Lawrence seems to be regaining her footing.

“Time does heal, you know,” she tells Kashner. “I’m not crying about it anymore. I can’t be angry anymore. I can’t have my happiness rest on these people being caught, because they might not be. I need to just find my own peace.”

In Kashner’s more than 3,000-word piece, Lawrence speaks extensively about a variety of subjects, including what she needs in a relationship (“I would so much rather be bored than excited and have passion”), her adoration for the Real Housewives franchise, and her love for comedian Larry David. Kashner also speaks to Hunger Games director Francis Lawrence, Serena director Susanne Bier, and actor Woody Harrelson, who says of Lawrence, “You know, it’s not terrible, people telling you you’re great; what’s terrible is when you start believing it. She never got fucked up.”